Give me a chance to catch my breath
So I can lay my ghost to rest
So ask me tomorrow what I though of yesterday
There's so many things that I can not explain
I'm alone with you
And I can pull it through
---"Ghost", Dirty Vegas
Wednesday, November 24, 2004
Monday, November 15, 2004
FIVE FOR FIGHTING LYRICS
100 Years
I'm 15 for a moment
Caught in between 10 and 20
And I'm just dreaming
Counting the ways to where you are
I'm 22 for a moment
She feels better than ever
And we're on fire
Making our way back from Mars
15 there's still time for you
Time to buy and time to lose
15, there's never a wish better than this
When you only got 100 years to live
I'm 33 for a moment
Still the man, but you see I'm a they
A kid on the way
A family on my mind
I'm 45 for a moment
The sea is high
And I'm heading into a crisis
Chasing the years of my life
15 there's still time for you
Time to buy, Time to lose yourself
Within a morning star
15 I'm all right with you
15, there's never a wish better than this
When you only got 100 years to live
Half time goes by
Suddenly you're wise
Another blink of an eye
67 is gone
The sun is getting high
We're moving on...
I'm 99 for a moment
Dying for just another moment
And I'm just dreaming
Counting the ways to where you are
15 there's still time for you
22 I feel her too
33 you're on your way
Every day's a new day...
15 there's still time for you
Time to buy and time to choose
Hey 15, there's never a wish better than this
When you only got 100 years to live
100 Years
I'm 15 for a moment
Caught in between 10 and 20
And I'm just dreaming
Counting the ways to where you are
I'm 22 for a moment
She feels better than ever
And we're on fire
Making our way back from Mars
15 there's still time for you
Time to buy and time to lose
15, there's never a wish better than this
When you only got 100 years to live
I'm 33 for a moment
Still the man, but you see I'm a they
A kid on the way
A family on my mind
I'm 45 for a moment
The sea is high
And I'm heading into a crisis
Chasing the years of my life
15 there's still time for you
Time to buy, Time to lose yourself
Within a morning star
15 I'm all right with you
15, there's never a wish better than this
When you only got 100 years to live
Half time goes by
Suddenly you're wise
Another blink of an eye
67 is gone
The sun is getting high
We're moving on...
I'm 99 for a moment
Dying for just another moment
And I'm just dreaming
Counting the ways to where you are
15 there's still time for you
22 I feel her too
33 you're on your way
Every day's a new day...
15 there's still time for you
Time to buy and time to choose
Hey 15, there's never a wish better than this
When you only got 100 years to live
Sunday, September 26, 2004
Sunday, September 19, 2004
Tuesday, September 14, 2004
W. B. Yeats
He Wishes for the Cloths of Heaven
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the halflight,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
He Wishes for the Cloths of Heaven
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the halflight,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
Do Not Go Gentle into That Good Night
Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Dylan Thomas
Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.
Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.
Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.
Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.
And you, my father, there on the sad height,
Curse, bless, me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.
Sunday, August 15, 2004
Tuesday, July 27, 2004
We cherish the progress in civilisation since biblical times and long before. But there is a needed and, indeed, accepted qualification. The US and Britain are in the bitter aftermath of a war in Iraq. We are accepting programmed death for the young and random slaughter for men and women of all ages. So it was in the first and second world wars, and is still so in Iraq. Civilised life, as it is called, is a great white tower celebrating human achievements, but at the top there is permanently a large black cloud. Human progress dominated by unimaginable cruelty and death.
Civilisation has made great strides over the centuries in science, healthcare, the arts and most, if not all, economic well-being. But it has also given a privileged position to the development of weapons and the threat and reality of war. Mass slaughter has become the ultimate civilised achievement.
The facts of war are inescapable - death and random cruelty, suspension of civilised values, a disordered aftermath. Thus the human condition and prospect as now supremely evident. The economic and social problems here described can, with thought and action, be addressed. So they have already been. War remains the decisive human failure.
---This is an edited extract from The Economics of Innocent Fraud: Truth for Our Time, by JK Galbraith, published by Allen Lane.
Civilisation has made great strides over the centuries in science, healthcare, the arts and most, if not all, economic well-being. But it has also given a privileged position to the development of weapons and the threat and reality of war. Mass slaughter has become the ultimate civilised achievement.
The facts of war are inescapable - death and random cruelty, suspension of civilised values, a disordered aftermath. Thus the human condition and prospect as now supremely evident. The economic and social problems here described can, with thought and action, be addressed. So they have already been. War remains the decisive human failure.
---This is an edited extract from The Economics of Innocent Fraud: Truth for Our Time, by JK Galbraith, published by Allen Lane.
Thursday, July 08, 2004
Cause all I really want is to be with you
Feeling like I matter too
If I hadn't blown the whole thing years ago
I might be here with you
Tomarrow we can drive around this town
And let the cops chase us around
The past is gone but something might be found to take it's place
Hey Jealousy
---Hey Jealousy, Gin Blossoms
Feeling like I matter too
If I hadn't blown the whole thing years ago
I might be here with you
Tomarrow we can drive around this town
And let the cops chase us around
The past is gone but something might be found to take it's place
Hey Jealousy
---Hey Jealousy, Gin Blossoms
Tuesday, July 06, 2004
The whole point about cinema, surely, is the close-up of the human face. Huge images such as the Sphinx, Mount Rushmore and the colossal statues in Greece and Rome established the sense of wonder to be had in gazing at magnified physiognomy, but until the movies, such depictions were rare. Even in vast paintings - of battles, landscapes, coronations - the human beings tended to be no more than twice or thrice our size. But Greta Garbo's inscrutable face was hundreds of times bigger than that of those who read their own thoughts into it. Therein lies the wonder of the movies.
---Widescreen, an article from the prospect magazine in UK
---Widescreen, an article from the prospect magazine in UK
When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crown of stars.
---W. B. Yeats
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;
How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;
And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crown of stars.
---W. B. Yeats
Monday, July 05, 2004
"All paths lead to the same goal: to convey to others what we are. And we must pass through solitude and difficulty, isolation and silence in order to reach forth to the enchanted place where we can dance our clumsy dance and sing our sorrowful song."
---Pablo Neruda, 1971 Nobel Prize acceptance sppech
---Pablo Neruda, 1971 Nobel Prize acceptance sppech
Sunday, June 27, 2004
Good afternoon everyone. This is Kane. I hope no one minds that I used this yahoo group to send my email.
I will be celebrating my birthday this Friday, 10 pm July 2 on the top floor of Seneca Plaza building 1152 E. Rodriguez Sr. Ave. It is very near the office, its the building with the Sizzling LA restaurant.
It's a STRCITLY dress up party and the theme is 80s. Think of graffitis and disco balls. I am expecting more than a 100 guests, and it will be a mixed crowd.
Please let me know asap who will be going since i am monitoring the number of guests. text me at 09177141725.
It will be fun, a lot of dancing, a lot of alcohol. But this is not for the weak of heart. hehe
Alam ko na baka marami sa inyo ang hindi pupunta kasi hindi naman tayo gaanong magkakilala, pero sana dumalo pa rin kayo.
salamat.
:)
kane
I will be celebrating my birthday this Friday, 10 pm July 2 on the top floor of Seneca Plaza building 1152 E. Rodriguez Sr. Ave. It is very near the office, its the building with the Sizzling LA restaurant.
It's a STRCITLY dress up party and the theme is 80s. Think of graffitis and disco balls. I am expecting more than a 100 guests, and it will be a mixed crowd.
Please let me know asap who will be going since i am monitoring the number of guests. text me at 09177141725.
It will be fun, a lot of dancing, a lot of alcohol. But this is not for the weak of heart. hehe
Alam ko na baka marami sa inyo ang hindi pupunta kasi hindi naman tayo gaanong magkakilala, pero sana dumalo pa rin kayo.
salamat.
:)
kane
Wednesday, June 23, 2004
Thursday, June 17, 2004
Wednesday, May 12, 2004
The orgasmic spasm lasts a few seconds to a minute at the most, but is accompanied by intense physiological activity. Genitals swell with blood, the pulse races, muscles contract involuntarily. Some people's mouths open. Others' faces contort. Many women's toes curl. In men, big toes often stiffen as their little toes twist. Both partners' feet may arch and shake. Sweat typically surfaces on both participants' brows, the heart pumps frantically, and breathing becomes fast and shallow. Both partners' nostrils may flare and seem to heat the air as it surges through them. With climax, each partner is clenched by contractions at consistent 0.8 second intervals. The human sexual summit is a paroxysm of pleasure. A warm glow envelops the waist and chest. The toes relax.
The emotions, too, generally go into a seismic convulsion. For attempting, or pretending to attempt, to add to the species, both parties have received their reward. A mist of goodwill, wellbeing and lazy relaxation temporarily obscures reality. Both men and women may laugh or cry, or become uncommonly ticklish, although all these reactions are less common for men on the basis that they tend to show their feelings less anyway. Both sexes may experience a burst of creative thought since orgasm produces a near lightning storm in the right, creative-thinking side of the brain. Biological duty fulfilled, there normally follows a lengthy period of exhaustion, rest, and - frequently - sleep.
The emotions, too, generally go into a seismic convulsion. For attempting, or pretending to attempt, to add to the species, both parties have received their reward. A mist of goodwill, wellbeing and lazy relaxation temporarily obscures reality. Both men and women may laugh or cry, or become uncommonly ticklish, although all these reactions are less common for men on the basis that they tend to show their feelings less anyway. Both sexes may experience a burst of creative thought since orgasm produces a near lightning storm in the right, creative-thinking side of the brain. Biological duty fulfilled, there normally follows a lengthy period of exhaustion, rest, and - frequently - sleep.
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